Cinema Credits

Title: Allied
Year: 2016
Directors: Robert Zemeckis
Cinematographer: Don Burgess, ASC
Camera(s): Red Weapon 6k
Lenses: Leica Summicron-C
Title: Fantastic Beasts and Where To Find Them
Year: 2016
Directors: David Yates
Cinematographer: Philippe Rousselot
Camera(s): Arri Alexa XT
Lenses: G Series, E Series, C Series, AWZ2
Title: Shut In
Year: 2016
Directors: Farren Blackburn
Cinematographer: Eric Leach
Camera(s): Red Epic
Lenses: Ultra Speeds
Title: Billy Lynn's Long Halftime Walk
Year: 2016
Directors: Ang Lee
Cinematographer: John Toll, ASC
Camera(s): Sony F65
Lenses: Primo Primes, Master Primes
Title: Hacksaw Ridge
Year: 2016
Directors: Mel Gibson
Cinematographer: Simon Duggan, ACS
Camera(s): Arri Alexa XT Plus
Lenses: Primo V, Primo Zooms, PCZ
Title: Loving
Year: 2016
Directors: Jeff Nichols
Cinematographer: Adam Stone
Camera(s): XL2
Lenses: G Series, T150, E135, E180, Anamorphic Zooms
Title: Doctor Strange
Year: 2016
Directors: Scott Derrickson
Cinematographer: Ben Davis, BSC
Camera(s): Arri Alexa 65
Lenses: Primo 70, System 65
Title: Jack Reacher: Never Go Back
Year: 2016
Directors: Durden Godfrey
Cinematographer: Oliver Wood
Camera(s): XL2
Lenses: Primo Primes, Zeiss Super Panavision USZ, Zeiss Ultra Primes, Angenieux Optimos, Primo Zoom
Title: Max Steel
Year: 2016
Directors: Stewart Hendler
Cinematographer: Brett Pawlak
Camera(s): Red Epic
Lenses: Super Speeds, Primo Zooms, Primo Compact Zoom
Title: Keeping Up With the Joneses
Year: 2016
Directors: Greg Mottola
Cinematographer: Andrew Dunn
Camera(s): XL2
Lenses: Primo Primes, Primo Zooms
Title: The Accountant
Year: 2016
Directors: Gavin O'Connor
Cinematographer: Seamus McGarvey
Camera(s): XL2
Lenses: Primo Primes
Title: Mascots
Year: 2016
Directors: Christopher Guest
Cinematographer: Kristian Kachikis
Camera(s): Sony F55, Sony F65
Lenses: Primo Prime Close Focus
Title: The Great Gilly Hopkins
Year: 2016
Directors: Stephen Herek
Cinematographer: David M. Dunlap
Camera(s): Arri Alexa
Lenses: Primo Primes, Primo Zooms
Title: The Greasy Strangler
Year: 2016
Directors: Jim Hosking
Cinematographer: Marten Tedin
Camera(s): Arri Alexa High Speed
Lenses: Kowa Lenses, SP15
Title: Miss Peregrine's Home For Peculiar Children
Year: 2016
Directors: Tim Burton
Cinematographer: Bruno Delbonnel
Camera(s): Arri Alexa
Lenses: Cooke S4
Title: American Honey
Year: 2016
Directors: Andrea Arnold
Cinematographer: Robbie Ryan
Camera(s): Arri Alexa XT
Lenses: Super Speeds, Ultra Speed Z Series, Primo Prime 14.5mm
Title: Deepwater Horizon
Year: 2016
Directors: Peter Berg
Cinematographer: Enrique Chadiak
Camera(s): Arri Alexa XT
Lenses: Lecia Summicron-C
Title: The Magnificent Seven
Year: 2016
Directors: Antoine Fuqua
Cinematographer: Mauro Fiore
Camera(s): XL2, Arri 235
Lenses: G Series Anamorphic, C Series Anamorphic, E Series Anamorphic, T150, Anamorphic Zooms
Title: The Dressmaker
Year: 2016
Directors: Jocelyn Moorhouse
Cinematographer: Donald McAlpine
Camera(s): Red Epic-x
Lenses: Primo Primes
Title: Bridget Jones's Baby
Year: 2016
Directors: Sharon Maguire
Cinematographer: Andrew Dunn
Camera(s): Arri Alexa Studio
Lenses: C Series Anamorphic, Anamorphic Zooms, Angenieux Optimos
Title: When The Bough Breaks
Year: 2016
Directors: Jon Cassar
Cinematographer: David Moxness
Camera(s): Sony F55, Sony F65
Lenses: Cooke S4, Angenieux Optimos
Title: Battle Scars
Year: 2016
Directors: Danny Buday
Cinematographer: Jason Oldak
Camera(s): Red Epic-x
Lenses: Super Speeds
Title: The Light Between Oceans
Year: 2016
Directors: Derek Cianfrance
Cinematographer: Adam Arkapaw
Camera(s): Arri Alexa XT
Lenses: G Series Anamorphic, Anamorphic Zooms
Title: Morgan
Year: 2016
Directors: Luke Scott
Cinematographer: Mark Patten
Camera(s): Arri Alexa XT - Panavised
Lenses: Primo Primes, Primo Close Focus Primes, Primo Zooms
Title: Southside With You
Year: 2016
Directors: Richard Tanne
Cinematographer: Pat Scola
Camera(s): Arri Alexa
Lenses: Cooke Xtal Xpress