Cinema Credits

Title: Get On Up
Year: 2014
Directors: Tate Taylor
Cinematographer: Stephen Goldblatt ASC, BSC
Camera(s): Arri Alexa
Lenses: Primo Primes, Primo Zooms
Title: Sharknado 2: The Second One
Year: 2014
Directors: Anthony C. Ferrante
Cinematographer: Ben Demaree
Camera(s): Red Epic
Lenses: Ultra Speeds
Title: Magic in the Moonlight
Year: 2014
Directors: Woody Allen
Cinematographer: Darius Khondji ASC
Camera(s): Arricam LT
Lenses: C Series Anamorphic, E Series Anamorphic
Title: Hercules
Year: 2014
Directors: Brett Ratner
Cinematographer: Dante Spinotti ASC, AIC
Camera(s): Arri Alexa
Lenses: Primo Anamorphic Primes
Title: Wish I Was Here
Year: 2014
Directors: Zach Braff
Cinematographer: Lawrence Sher
Camera(s): Arri Alexa
Lenses: G Series Anamorphic
Title: Boyhood
Year: 2014
Directors: Richard Linklater
Cinematographer: Lee Daniel, Shane F. Kelly
Camera(s): XL2, Moviecam
Lenses: Zeiss Superspeeds, Primo Primes
Title: Deliver Us From Evil
Year: 2014
Directors: Scott Derrickson
Cinematographer: Scott Kevan
Camera(s): Sony F55, Sony F65
Lenses: PVintage, Primo Zooms
Title: Tammy
Year: 2014
Directors: Ben Falcone
Cinematographer: Russ Alsobrook, ASC
Camera(s): XL2
Lenses: Primo Zooms
Title: Transformers: Age of Extinction
Year: 2014
Directors: Michael Bay
Cinematographer: Amir Mokri
Camera(s): XL2
Lenses: G Series Anamorphic, C Series Anamorphic
Title: Very Good Girls
Year: 2014
Directors: Naomi Foner
Cinematographer: Bobby Bukowski
Camera(s): Arri Alexa
Lenses: Super Speeds
Title: Think Like a Man Too
Year: 2014
Directors: Tim Story
Cinematographer: Christopher Duskin
Camera(s): Sony F65
Lenses: Super Speeds
Title: Jersey Boys
Year: 2014
Directors: Clint Eastwood
Cinematographer: Tom Stern
Camera(s): Arri Alexa
Lenses: C Series Anamorphic
Title: The Signal
Year: 2014
Directors: William Eubank
Cinematographer: David Lanzenberg
Camera(s): Arri Alexa
Lenses: Primo Primes & Primo Zooms
Title: Edge of Tomorrow
Year: 2014
Directors: Doug Liman
Cinematographer: Dion Beebe ASC
Camera(s): Platinums
Lenses: G Series Anamorphic
Title: A Million Ways to Die in the West
Year: 2014
Directors: Seth Macfarlane
Cinematographer: Michael Barrett
Camera(s): Sony F55
Lenses: Primo Primes
Title: Blended
Year: 2014
Directors: Frank Coraci
Cinematographer: Julio Macat ASC
Camera(s): Arri Alexa
Lenses: Primo Zooms
Title: Maleficent
Year: 2014
Directors: Robert Stromberg
Cinematographer: Dean Semler ACS, ASC
Camera(s): Arri Alexa
Lenses: Primo Primes & Primo Zooms
Title: Godzilla
Year: 2014
Directors: Gareth Edwards
Cinematographer: Seamus McGarvey BSC
Camera(s): Arri Alexa
Lenses: C Series Anamorphic
Title: Palo Alto
Year: 2014
Directors: Gia Coppola
Cinematographer: Autumn Durald
Camera(s): Red Epic
Lenses: Super Speeds
Title: Chef
Year: 2014
Directors: Jon Favreau
Cinematographer: Kramer Morgenthau ASC
Camera(s): Arri Alexa
Lenses: C & E Series Anamorphic
Title: Neighbors
Year: 2014
Directors: Nicholas Stoller
Cinematographer: Brandon Trost
Camera(s): Arri Alexa
Lenses: E Series Anamorphic
Title: The Amazing Spider-Man 2
Year: 2014
Directors: Marc Webb
Cinematographer: Dan Mindel ASC, BSC
Camera(s): XL2
Lenses: C Series Anamorphic
Title: Locke
Year: 2014
Directors: Steven Knight
Cinematographer: Haris Zambarloukos
Camera(s): Red Epic
Lenses: C Series Anamorphic
Title: Transcendence
Year: 2014
Directors: Wally Pfister
Cinematographer: Jess Hall BSC
Camera(s): XL2 & Arri 435
Lenses: E Series Anamorphic
Title: Heaven is For Real
Year: 2014
Directors: Randall Wallace
Cinematographer: Dean Semler ACS, ASC
Camera(s): Genesis
Lenses: Primo Primes & Primo Zooms