TV Credits

Title: Love
Year: 2017
Directors:
Cinematographer: Mark Schwartzbard
Camera(s): Panasonic Varicam 35
Lenses: Primo Zooms
Title: American Crime
Year: 2017
Directors:
Cinematographer: Ramsey Nickell
Camera(s): Arri Alexa Mini
Lenses: G Series Anamorphic, Anamorphic Zooms
Title: Shades of Blue
Year: 2016
Directors:
Cinematographer: Stefan Czapsky
Camera(s): Arri Alexa HS
Lenses: Angenieux Optimos
Title: The Mindy Project
Year: 2017
Directors:
Cinematographer: Marco Fargnoli
Camera(s): Arri Alexa High Speed
Lenses: Primo Zooms
Title: The Walking Dead
Year: 2017
Directors:
Cinematographer: Michael Satrazemis
Camera(s): Arri 416
Lenses: Zeiss Ultra 16mm
Title: The Blacklist: Redemption
Year: 2017
Directors:
Cinematographer: Eric Moynier
Camera(s): Sony F55
Lenses: Primo Zooms
Title: The Good Fight
Year: 2017
Directors:
Cinematographer: Fred Murphy, ASC
Camera(s): Arri Alexa Plus
Lenses: Lecia Summicron, Primo Primes, SLZ11
Title: Crashing
Year: 2017
Directors:
Cinematographer: Mark Schwartzbard, Sam Levy
Camera(s): XL2
Lenses: Primo Primes, Primo Zooms, Primo Compact Zoom, Angenieux Zoom
Title: APB
Year: 2017
Directors:
Cinematographer: Bart Tau
Camera(s): Panasonic Varicam LT
Lenses: Fuji 45-250, Fuji 19-90, Vantage T.0
Title: 24: Legacy
Year: 2017
Directors:
Cinematographer: Jeffrey Mygatt
Camera(s): Arri Alexa Mini
Lenses: Primo Close Focus Primes, Primo Zooms
Title: Santa Clarita Diet
Year: 2017
Directors:
Cinematographer: Michael Barrett, ASC
Camera(s): Arri Alexa
Lenses: PVintage, Angenieux Optimos
Title: Superior Donuts
Year: 2017
Directors:
Cinematographer: Gary Baum
Camera(s): Sony F55
Lenses: Primo Zooms
Title: Black Sails
Year: 2017
Directors:
Cinematographer:
Camera(s): Arri Alexa Mini
Lenses: Primo Primes, Primo Compact Zoom
Title: Legends of Tomorrow
Year: 2017
Directors:
Cinematographer: David Geddes, Todd Williams
Camera(s): Arri Alexa High Speed, Arri Alexa Mini
Lenses: Primo Primes, Primo Zooms, Primo Close Focus
Title: Baskets
Year: 2017
Directors:
Cinematographer: Giles Dunning
Camera(s): Arri Alexa Mini
Lenses: SLZ11, Angenieux Optimo, Zeiss Std. Primes, Zeiss Super Speeds
Title: A Series of Unfortunate Events
Year: 2017
Directors:
Cinematographer: Bernard Couture
Camera(s): Sony F65
Lenses: Zeiss Master Primes, Fujinon Zooms
Title: Taboo
Year: 2017
Directors:
Cinematographer: Mark Patten
Camera(s): Arri Alexa XT (Panavised)
Lenses: Primo Primes, Primo Zooms, Angenieux Optimos
Title: This is Us
Year: 2017
Directors:
Cinematographer: Yasu Tanida, Patrick Capone
Camera(s): Arri Alexa High Speed
Lenses: Primo Primes, Primo Zooms, Angenieux Optimos
Title: Sleepy Hollow
Year: 2017
Directors:
Cinematographer: Niels Alpert, Jan Friis
Camera(s): Arri Alexa High Speed
Lenses: Leica Summilux C, Portrait, Angenieux Optimos, Primo Zooms
Title: Rosewood
Year: 2017
Directors:
Cinematographer: Michael Stechter
Camera(s): Arri Amira, Arri Alexa Mini
Lenses: Primo Zooms, Primo Compact Zoom
Title: One Day At a Time
Year: 2017
Directors:
Cinematographer: Chris LaFountaine
Camera(s): Sony F55
Lenses: Encoded Primo Zooms, Angenieux Optimos, Fujinon Cabrio
Title: Superstore
Year: 2017
Directors:
Cinematographer: Jay Hunter
Camera(s): Arri Amira
Lenses: Angeniuex Optimos, STZ
Title: Shadowhunters: The Mortal Instrument
Year: 2017
Directors:
Cinematographer: David Herrington, Mike McMurray
Camera(s): Arri Alexa Mini, Arri Alexa High Speed
Lenses: Zeiss Ultra Primes, Angenieux Optimo Zooms
Title: Law & Order: Special Victims Unit
Year: 2016
Directors:
Cinematographer:
Camera(s): Arri Alexa High Speed
Lenses: Primo Zooms
Title: The Mick
Year: 2017
Directors:
Cinematographer: Craig Kief
Camera(s): Arri Alexa Mini, Arri Amira
Lenses: Primo Zooms, Alura Zoom