TV Credits

Title: One Day At a Time
Year: 2017
Directors:
Cinematographer: Chris LaFountaine
Camera(s): Sony F55
Lenses: Encoded Primo Zooms, Angenieux Optimos, Fujinon Cabrio
Title: Superstore
Year: 2017
Directors:
Cinematographer: Jay Hunter
Camera(s): Arri Amira
Lenses: Angeniuex Optimos, STZ
Title: Shadowhunters: The Mortal Instrument
Year: 2017
Directors:
Cinematographer: David Herrington, Mike McMurray
Camera(s): Arri Alexa Mini, Arri Alexa High Speed
Lenses: Zeiss Ultra Primes, Angenieux Optimo Zooms
Title: Law & Order: Special Victims Unit
Year: 2016
Directors:
Cinematographer:
Camera(s): Arri Alexa High Speed
Lenses: Primo Zooms
Title: The Blacklist
Year: 2017
Directors:
Cinematographer: Michael Caracciolo, Saade Mustafa
Camera(s): Sony F55
Lenses: Primo Primes, Primo Zooms
Title: Colony
Year: 2017
Directors:
Cinematographer: Christopher Faloona
Camera(s): Arri Alexa High Speed
Lenses: Angenieux Optimos, Cooke S4
Title: The Mick
Year: 2017
Directors:
Cinematographer: Craig Kief
Camera(s): Arri Alexa Mini, Arri Amira
Lenses: Primo Zooms, Alura Zoom
Title: The Path
Year: 2017
Directors:
Cinematographer: Yaron Orbach, Arthur Afiricano
Camera(s): Red Epic Dragon
Lenses: Primo Classics, Zeiss Ultra Primes, Zeiss Super Speeds, Angenieux Optimos, Primo Compact Zoom
Title: Switched at Birth
Year: 2017
Directors:
Cinematographer: Carlos Gonzalez
Camera(s): Arri Alexa
Lenses: Primo Zooms, Primo Primes, Primo Compact Zoom
Title: Quantico
Year: 2017
Directors:
Cinematographer: Anastas Michos, Tas Michos
Camera(s): Arri Alexa High Speed
Lenses: Primo Zooms, Angenieux Optimos
Title: Blindspot
Year: 2016
Directors:
Cinematographer: David Tuttman
Camera(s): Arri Alexa Plus
Lenses: Cooke S4, Angenieux Optimos
Title: Star
Year: 2016
Directors:
Cinematographer: Rodney Taylor
Camera(s): Arri Alexa Mini
Lenses: Leica Summilux-C, SLZ11, PCZ
Title: Mozart in the Jungle
Year: 2016
Directors:
Cinematographer: Tobias Datum
Camera(s): Arri Alexa XT
Lenses: Primo Zooms, Super Speeds, Ultra Speeds
Title: Fuller House
Year: 2016
Directors:
Cinematographer: Greg Heschong
Camera(s): Sony F55
Lenses: Primo Zooms, PCZ, Fujinon Cabrio
Title: Salem
Year: 2016
Directors:
Cinematographer: Mark Vargo
Camera(s): Arri Alexa High Speed
Lenses: PVintage, PCZ, Angenieux Optimos
Title: Mom
Year: 2016
Directors:
Cinematographer: Steve Silver
Camera(s): Sony F55
Lenses: Primo Zooms, Fujinon Cabrio
Title: The Great Indoors
Year: 2016
Directors:
Cinematographer: Patti Lee
Camera(s): Sony F55
Lenses: Primo Zooms, Fujinon Cabrio
Title: Dirk Gently's Holistic Detective Agency
Year: 2016
Directors:
Cinematographer: John Pardue
Camera(s): Arri Alexa High Speed
Lenses: Primo Primes
Title: Rectify
Year: 2016
Directors:
Cinematographer: Patrick Cady
Camera(s): Arri Alexa High Speed
Lenses: Primo Zooms
Title: Chance
Year: 2016
Directors:
Cinematographer: Michael Bonvillain
Camera(s): Arri Alexa Mini
Lenses: G Series Anamorphic, Anamorphic Zooms
Title: Goliath
Year: 2016
Directors:
Cinematographer: Curtis Wehr, Ed Pei
Camera(s): Arri Amira
Lenses: Primo Zooms
Title: Life in Pieces
Year: 2016
Directors:
Cinematographer: Tom Magill, Mike Pepin
Camera(s): Arri Amira
Lenses: Angenieux Optimos, Primo Zooms
Title: Legends of Tomorrow
Year: 2016
Directors:
Cinematographer: David Geddes, Todd Williams
Camera(s): Arri Alexa High Speed, Arri Alexa Mini
Lenses: Primo Primes, Primo Zooms, Primo Close Focus
Title: Jane the Virgin
Year: 2016
Directors:
Cinematographer: Lowell Peterson
Camera(s): Arri Alexa
Lenses: Primo Zooms, PCZ
Title: 2 Broke Girls
Year: 2016
Directors:
Cinematographer: Chris LaFountaine
Camera(s): Sony F55
Lenses: Primo Zooms, Fujinon Cabrio