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PanavisionLenses
Since their introduction in the 1980s, E Series anamorphic primes have been a favorite for many cinematographers. Building on the success of the C Series, the E Series offers improved optical quality, more sophisticated anti-reflection coatings, newer spherical components, and a refined optical formula with fewer aberrations. The E Series delivers an overall clean look without being too clinical or too sharp.
focal lengths
widest apertures
| Focal Length | T-Stop | Close Focus (in) | Weight (lbs) | Length (in) | Front Diameter (in) |
|---|---|---|---|---|---|
| 28 | 2.3 | 48 | 10.9 | 8 | 6.22 |
| 35 | 2-2.3 | 42-48 | 8.3-10 | 7.1-7.4 | 5.62-6.87 |
| 40 | 2 | 48 | 7 | 6.8 | 4.94 |
| 50 | 2 | 48 | 7.6 | 7.31 | 4.94 |
| 75 | 2 | 60 | 5.5 | 7.5 | 3.75 |
| 100 | 2.3 | 60 | 6 | 8.4 | 4.44 |
| 135 | 2.8 | 45 | 7.1 | 10.4 | 4.44 |
| 180 | 2.8 | 54 | 8.6 | 11.4 | 4.44 |
Minimal falloff on the edges of the frame.
Excellent center-to-edge resolution flatness.
True anamorphic artifacts such as disproportional vertical focus breathing, mild barrel distortion with wide-angle lenses, and a compressed depth of field.
Clean blue horizontal flares without additional artifacts such as veiling glare or edge reflections.
Widest apertures range from T2 to T2.8.
Close-focus distances range from 3 feet 6 inches to 5 feet.
